Inspired by remarkable true events, acclaimed writer/director Pascal Bonitzer’s sharp and hugely engrossing new dramedy The Stolen Painting follows a self-assured auctioneer whose professional and personal integrity is challenged by the discovery of a long-lost masterpiece. Paris, present day. André Masson (César Award-winner Alex Lutz), a hotshot modern art appraiser at prestigious high-end auction house Scottie’s, receives word that a painting by Egon Schiele may have been found in a young factory worker’s home in the Alsatian city of Mulhouse. Though highly sceptical, André travels to view the canvas with his ex-partner Bettina (the superb Léa Drucker, Roxane) who is also an expert valuator, only to be convinced of its authenticity as a masterwork long-assumed destroyed by Nazi officials during WWII. For André, the ramifications of this once-in-a-lifetime find for his career and for his contentious relationship with his less-than-reliable intern Aurore (Louise Chevillotte), will prove both unexpected and transformative. Skilfully brought to life by an array of endearing and duplicitous characters, The Stolen Painting is a thrilling exploration of the often cynical world of art dealing and collecting, where the jaw-dropping prices aren’t always related to the rarity of the object or the desire of potential customers.